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  • 剧情片马克斯与我

    主演:Matthew,Erick,White,Lily,Bleu,Andrew,Mathew,Odette,Grant,Anstine,梅丽莎·庞西奥,Willow,Geer,Tia,Matza,Madison,Mae,Kiana,Taylor,安杰利卡·华盛顿,Mollyann,Davis,Matthew,McFate,Austin,Bugarin,Jeff,Wiesen,Elvira,Tröger

    导演:

    简介:这是一个成长故事,讲述一个笨拙的十几岁男孩爱上了隔壁的女孩,但他很快发现女孩去年因囊性纤维化去世了,而他爱上的是……一个鬼魂。

  • 动作片雷霆特警

    主演:克里斯托弗·M·欧赫特,Matthias,Matz,斯洛·派克内尔,Doreen,Jacobi

    导演:

    简介:香港女特警优秀份子赵丽冰被挑选到汉城参加特别训练,在训练过程中,冰认识李子萍与金玉琪,张教官对三人特别严格;毕业典礼过後冰与琪萍道别,由程正德送到机场返香港,各自忙著自己的工作岗位。冰在香港破获了一宗...

  • 剧情片诡异游戏

    主演:Jody,Matzer,Michael,Shenefelt,Markus,Silbiger,Christine,Spang,Conner,Ann,Waterman

    导演:

    简介:When Harley joins her new boyfriend for a long Halloween weekend at his country estate, they're invaded by a band of masked freaks and forced to play a Wicked Game. To the intruders' unpleasant surprise, Harley's hard-boiled history has endowed her with a bag of tricks which give the game a surprise ending.

  • 剧情片洛特

    主演:Karin,Hanczewski,Zita,Aretz,Paul,Matzke

    导演:

    简介:  洛特是个冲动易怒,浑身棱角的女人。在柏林的街道上花天酒地的她,一晚偶遇了一位几乎都要忘记的马塞尔。就在马塞尔认出洛特的时候,她却匆匆离开,逃到了朋友家。第二天在医院工作时,一个叫格蕾塔的年轻女孩受伤进了医院,她们对彼此产生了喜爱之情。而这份感情却因为洛特碰巧看见格蕾塔和马塞尔两人在一起而破灭。他们的面面相觑,也注定洛特这次再也无法逃脱逃。(豆瓣电影字幕翻译2.0小组)

  • 综艺美国大革命

    主演:John,Koopman,Jody,Matzer,Brian,McTamaney

    导演:

    简介:  

  • 纪录片家庭作业1989

    主演:Babak,Ahmadpoor,Farhang,Akhavan,Mohammad,Reza,Nematzadeh

    导演:

    简介:  以采访的形式调查了人们对新实施的有关家庭作业的措施的看法,受访者有学生也有家长。在他们描绘的教育体制里,家庭作业不是教学手段,更像是枷锁,老师、家长和学生都处在一个痛苦、被迫与憎恨的恶性循环中。一位从事教育体制研究的家长警告说,这种惩罚学生而不是开发孩子们的创造力的倾向会产生愤怒和阴暗的一代人,他们会对任何精神问题都非常敏感。  自从阿巴斯参与了伊朗青少年教育发展协会,便尤为关注儿童所面临的问题。《家庭作业》是一部记录片,讲述人们对于家庭作业所持有的观点。为此,阿巴斯亲自采访了德黑兰某小学,进行了广泛的调查研究。令人惊奇的是,学生与家长对家庭作业都抱着不喜爱的态度,他们认为,家庭作业非但没有起到促进作用,反而成为人们心头负担。很多人为此忧心忡忡,对家庭作业感到厌恶并为之痛苦。面对这种情况,阿巴斯没有提出解决的办法,只是把问题具体而真实地袒露出来。

  • 剧情片芳心封鎖

    主演:Gila,Almagor

    导演:

    简介:  The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's "siege" is one of the first characters of the "modern" war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  "Siege" was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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